| "Alice Woodbridge is delightful as Gianetta." |
| Graham Gurrin, The Stage on l'Elisir d'Amore, Opera South, February 2007 |
| Farnham Castle - The Clerihew Trio concert review, 17 November 2006 |
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| "Alice Woodbridge was perfect as Susanna. Glorious singing and acting full of cheeky pertness plus great expression of romantic and indignant emotions." | |
| Josie Shingles, National Operatic & Dramatic Assocation on The Marriage of Figaro, April 2006 |
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| "Alice has a powerful, refined and colourful soprano voice that has been well schooled...Without question the vocal highlights were Alice's two solos...She certainly has the vocal quality and performance skills, as well as the looks, to climb the professional ladder." |
| David Sonin, Ham & High on A Grand Night for Singing concert with baritone at Lauderdale House, July 2005 |
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| "Alice Woodbridge was an outstanding Oscar...Lively with darting, smiling eyes, full of impish fun, ...she strutted in boyish confidence." |
| Eric Dare, West Briton on A Masked Ball with Duchy Opera at the Hall for Cornwall, May 2005 |
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| "...se llevaron aplausos prolongados: las voces de la soprano y el contratenor se daban su lugar, se acompanaban y se alejaban con una sincronia que le puso la piel de gallina a varios." |
| Translation"...there were prolonged applauses: the voices of the soprano and countertenor dove-tailed each other, came together and moved away from each other with a synchronicity that brought on goose-bumps all over." |
| Vanesa Robles, El Publico on concert with countertenor Santiago Cumplido at Paraninfo, Guadalajara, Mexico, October 2004 |
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| "Alice Woodbridge excelled as the shade of the wanton Amy...[she] stole our sympathy entirely" |
| Christopher Hardy, The Archer on The Virgin Crown by Geoffrey Hanson, July 2004 |
